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Whether you are looking for a "listening room" experience, a pleasant dinner & a music venue, a family friendly musical adventure or a gritty roadhouse, FBISF has a place for you.Most venues are free to attend, a few charge a modest cover at the door.At the age of 21, she was sent to work on a plantation as penalty for having rejected the sexual advances of her white owner, whereupon she determined to free herself and her children at whatever cost. Several years later she moved to Rochester, New York, where she became active in a group of antislavery feminists.In 1842 Jacobs escaped to the North and was placed in the home of the popular New York writer, N. It was at their urging that she first came to think of writing her autobiography, since slave narratives were found to be an effective means of turning northern sentiment against the cruelties of slavery.However, white women reader were especially moved by the account of a woman who had fought so heroically to free herself and her children from slavery, even at the cost of her "virtue," and were able to identify with her through the perspective of their own situations as wives and mothers. Author of "Til Death or Distance Do Us Part": Love and Marriage in African America; Written by Herself: Literary Production by African American Women, 1746-1892; and Witnessing Slavery: The Development of the Antebellum Slave Narrative.During and after the Civil War, Jacobs traveled and spoke on behalf of the rights of African Americans, her effectiveness enhanced by the recognition that she had earned as an author. Co-editor of the Oxford Companion to African American Literature and Harriet Jacobs's Incidents in the Life of a Slave Girl. Now, Antonia Bennett can be added to the list of second-generation vocalists with the potential to rival an iconic parent’s pizzazz.

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He found ubiquity later in life, when dozens of hip hop artists from Run-DMC to Kanye West dug into his catalog to sample his sounds (perhaps foremost his signature scream on "Different Strokes").

Johnson found himself in the spotlight again last year when the archival label Numero Group assembled a Grammy-nominated boxset of his early cuts, titled Syl Johnson: The Mythology.

There is little vocal resemblance between Tony and Antonia.

Her sound suggests the creaminess of Jane Monheit cut with a 90-proof jigger or two of Nellie Mc Kay.